The main menu has dockable palettes and is customisable. This can also be closed so that there's more room for the other elements like the brush palette, layer manager and command history panel.
On the dockable palettes it seems a squeeze to get everything in, so putting a help guide there doesn't really utilise the space well. For just one image it's in the way, but can be closed to free up workspace. The Document map shows what images are loaded, which makes it easy to swap between them in complex editing jobs, or when cutting and pasting. Tools go down the left, menu options and shortcut icons along the top, the document map along the bottom and the dockable palettes go on the right.
Whichever mode is selected, the workspace is fairly uniform. The Full Edit mode contains everything, whereas Video & DVD concentrate on creating menu pages and The Web is for webpage graphics. The alternative to this are the Full Edit, Video & DVD and The Web options. Most of the effects menus are still available, but layers and objects are gone. ExpressFix is the happy snapper fix it up option that is there to correct colours, focus, exposure and noise. There are essentially four editing modes to the program which change what windows, menus and functions are available to varying degrees. So, does PhotoImpact 12 have anything to offer the digital photographer that they couldn't get in Elements or PSP? Read on to find out. The answer is largely third party licencing to hardware manufacturers of items like scanners and printers. Some software exists because enough people keep buying it to warrant and support a new version, but you have to wonder how PhotoImpact has managed to get to version 12.
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